Flint Symphony Orchestra
Enrique Diemecke, music director & conductor
Flint Symphony Chorus,Nada Radakovich & Jeffrey Walker, co-directors
Shayla Hottinger Powell, soprano
Abigail Kasenow, mezzo-soprano
Nicholas Music, tenor
Benton DeGroot, baritone
Wolfgang Amadeus Mozart,
Overture to Don Giovanni, K. 527
Eine kleine Nachtmusik, K. 525 (A Little Night Music)
Requiem, K. 626
The Flint Symphony Chorus joins FSO for this concert of masterworks that pays homage to one of the most celebrated composers in history. In the final performance of the season, the combined ensembles will render the last piece Mozart ever composed — or nearly. After his death at 35, the piece was completed by one of his peers. A funeral rite for the dead, Mozart’s Requiem is also a representation of vitality, the young composer having given life to the piece with his final breaths. The Overture to Don Giovanni, which opens the concert, nods to the great success of Mozart’s work during his lifetime, and the final serenade, which was published posthumously, to his enduring eminence long after.
Where have I heard this before?
All of the music on the program was featured in the highly acclaimed 1984 film Amadeus. The movie was a fictionalized account of Mozart’s life, but captures its essence— all to the soundtrack of his best-known works.
Inside the Music • 6:30pm
Title: Inside the Mozart Requiem
Guest Speaker: Nada Radakovich, Flint Symphony Chorus director and soprano
Shayla Hottinger Powell, soprano
Soprano and pianist, Shayla Powell, holds a BME from UM-Flint and went on to complete coursework for a master’s degree in Choral Music Education. She currently leads the Milan Community Schools choir program and the Ann Arbor Youth Chorale Descant Choir, where she and her students have succeeded statewide.
Abigail Kasenow, mezzo-soprano
Praised for her “clear mezzo” voice by South Florida Classical Review, Abigail Kasenow holds a degree from Oberlin Conservatory of Music. Abigail recently appeared as alto soloist in Mozart’s Requiem, Vivaldi’s Gloria, and Handel’s Messiah. Her recent opera credits include China Cup/Dragonfly (L’enfant et les sortilèges) with Opera MODO and Mrs. Herring (Albert Herring) at Miami Summer Music Festival. She lives in Livonia, Michigan and studies with Jim Patterson.
Nicholas Music, tenor
Recognized for his sensitive expression and versatility, tenor Nicholas Music hails from Grand Rapids. Based in Ann Arbor, he completed a Master of Music in Voice Performance at the University of Michigan after earning his bachelor’s degree from Oberlin Conservatory, where he was named a Rubin Scholar. Music has received many awards and scholarships, including the Vocal Arts Ensemble’s Professional Pathway Award and the Voices of Canton VOCI Scholarship.
Benton DeGroot, baritone
Benton DeGroot, baritone, has worked both on and off stage in numerous productions throughout Michigan. He received his Master of Music degree in Vocal Performance from the University of Michigan in 2020 where he studied with Stephen Lusmann and George Shirley. While there, he performed as Marcello (La Boheme) and Pangloss (Candide). Since 2017, he has sung with the Detroit Opera Chorus, while also music directing and teaching private lessons.
Principal Sponsor
Supporting Sponsors
Drs. Paul & Barbara Adams
ASL Sponsor
Age recommendation: No one under 5 admitted (including babes in arms)
Runtime: Approximately 2 hours 30 minutes
Including intermission
Sensory warning: Full band and loud volume.
Genesee County residents receive 30% off – discount applied at checkout.
Tickets start at $18 (plus fees)
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Age Recommendations
No one under 5 admitted (including babes in arms).
All patrons regardless of age, must have a ticket to enter the venue.
Regardless of age, disruptive patrons will be asked to leave.
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Photography
No photography or videography is allowed during this performance.
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Walkers & Wheelchairs
Due to (firecode), wheelchairs and walkers are only allowed in the accessible seating area and cannot be parked in the aisles.
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Accessible seating
Accessible seating is available and tickets must be purchased by phone or in person at FIM Ticket Center. Please inform the Patron Services Representative of any special needs you or your guests may have while purchasing tickets. Accessible seating is available for the patron and one companion.
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All Policies
To view all FIM Ticket Center & venue policies, click here.
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Security
FIM has implemented new security policies and protocols. To view all of our security measures, click here.
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No re-entry
No Re-entry. Once your ticket has been scanned, please plan to stay and enjoy the entire performance. Patrons will not be allowed to re-enter.
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Smoke/vape free zone
Smoke-Free Zones. All FIM venues are smoke-free. Per Michigan Law, Public Act 188, smoking is not allowed inside a venue or within 20 feet from the entrance to the building. Violators will be asked to leave. Vape-Free Zones. Vaping is not allowed anywhere within the venue. Violators will be asked to leave.
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Weapon free zone
Weapon-Free Zones. Firearms and weapons of any kind, including concealed weapons and pocket knives are prohibited.
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Assistive Listening Devices
Assistive listening devices are available at no charge. These devices are available from the FIM Whiting Auditorium lobby desk. A driver’s license, state-issued ID card or another form of security deposit is required.
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Familiarization Tours
Familiarization tours are offered to all patrons. Take a tour of the seating area and facilities before purchasing tickets. Guided tours for the visually impaired are available by appointment. Contact FIM Ticket Center to schedule your tour.
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Disruptive Patrons
Disruptive patrons, regardless of age, will be asked to leave. No refunds will be given.
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Program Content
Program Content Please note some performances may contain adult themes. Please check the event listing age recommendations prior to purchase or call FIM Ticket Center.
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Children & Families
All patrons, regardless of age, must have a ticket to enter the venue. Children under the age of 13 must be accompanied by an adult. For safety reasons, strollers and car seats are not allowed in the theatre. Regardless of age, disruptive patrons will be asked to leave. No refunds will be given.