This concert is for digital viewing, streaming live at concert time. Available on demand for 30 days starting April 12, 2025.
Enrique Diemecke, music director & conductor
Juan Riveros, harp
Paul Dukas, The Sorcerer’s Apprentice
Claude Debussy, Danses sacrée et profane (Sacred and Profane Dances)
Ludwig van Beethoven, Symphony No. 6 in F Major, op. 68 (Pastoral Symphony)
Debussy’s Sacred and Profane Dances is one of the most frequently played and best-loved pieces for harp, and Juan Riveros will breathe new life into this staple of any harpist’s repertoire. Performed alongside Dukas’s whimsical The Sorcerer’s Apprentice and Beethoven’s Pastoral Symphony, the program pairs the sacred and supernatural with the inspiration of the natural world. Prepare to embrace a transformation—like that of springtime — that will leave you nostalgic and invigorated.
Where have I heard this before?
If you had flashbacks of dancing mops and buckets and Mickey mouse in a wizard’s cap, you are on the right track! The Sorcerer’s Apprentice was made especially popular in Disney’s 1940 animated concert film, Fantasia.
The same film used Beethoven’s Pastoral Symphony, adding a Greco-Roman mythological component, including centaurs, a celebration for the god Bacchus, and a storm created by an enraged Zeus.
Juan Riveros, harp
Juan Riveros is one of a new generation of young harpists who bridge a variety of genres and artistic avenues, building audiences and fostering fresh appreciation for an instrument with ancient and diverse traditions. His numerous honors include Award Winner in the 2022 Lyon & Healy Awards, Outstanding Instrumentalist in Harp at the 2022 and 2023 Sphinx SOPA Competitions, Award Winner in the 2020 Anne Adams Awards Competition, Third Prize in the Young Professional Division of the 2019 American Harp Society National Competition, and Grand Prize in the Lewisville Lake International Concerto Competition.
Orchestral experience includes performances as guest principal harp with the Atlanta Symphony Orchestra, Ann Arbor Symphony Orchestra, Kalamazoo Symphony Orchestra, and Louisiana Philharmonic Orchestra. Riveros holds bachelor’s and master’s degrees in Harp Performance and Music Theory from the Cleveland Institute of Music, where he studied with Yolanda Kondonassis.
Title Sponsors
Phyllis Schroeder in memory of Dr. Paul Schroeder
Supporting Sponsors
Xcelerated IT Strategies
David & Heide Wharton
ASL Sponsor
FSOLive Sponsor
Howard & Rita Shand
Runtime: Approximately 2 hours 30 minutes
Including intermission
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No re-entry
No Re-entry. Once your ticket has been scanned, please plan to stay and enjoy the entire performance. Patrons will not be allowed to re-enter.
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Smoke/vape free zone
Smoke-Free Zones. All FIM venues are smoke-free. Per Michigan Law, Public Act 188, smoking is not allowed inside a venue or within 20 feet from the entrance to the building. Violators will be asked to leave. Vape-Free Zones. Vaping is not allowed anywhere within the venue. Violators will be asked to leave.
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Weapon free zone
Weapon-Free Zones. Firearms and weapons of any kind, including concealed weapons and pocket knives are prohibited.
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Assistive Listening Devices
Assistive listening devices are available at no charge. These devices are available from the FIM Whiting Auditorium lobby desk. A driver’s license, state-issued ID card or another form of security deposit is required.
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Familiarization Tours
Familiarization tours are offered to all patrons. Take a tour of the seating area and facilities before purchasing tickets. Guided tours for the visually impaired are available by appointment. Contact FIM Ticket Center to schedule your tour.
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Disruptive Patrons
Disruptive patrons, regardless of age, will be asked to leave. No refunds will be given.
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Program Content
Program Content Please note some performances may contain adult themes. Please check the event listing age recommendations prior to purchase or call FIM Ticket Center.
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Children & Families
All patrons, regardless of age, must have a ticket to enter the venue. Children under the age of 13 must be accompanied by an adult. For safety reasons, strollers and car seats are not allowed in the theatre. Regardless of age, disruptive patrons will be asked to leave. No refunds will be given.